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2.0
电影你躯体之泪的诡异颜色
主演：克劳斯·坦格,Ursula,Bedena,Joe,Koener,Birgit,Yew,汉斯·德·芒特,Anna,D'Annunzio,Jean-Michel,Vovk
导演：布鲁诺·福扎尼,伊莲娜·卡泰特
简介：铅黄电影。有点实验性的Cult片，《安娜迷宫》的导演又给大家带来感官盛宴。怪奇公寓妇女失踪，墙后房间通往童年，礼盒爬出帽子刺客，壁纸起伏欲望隧道；时空循环自我谋杀，白发初恋听诊凶案，糖果夹杂玻璃碎片，爆头画皮血流满屋……
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8.0
电影血色婚礼
主演：斯特凡·奥德朗,米歇尔·皮科利,克洛德·皮埃普吕,克洛蒂尔德·若阿诺,埃利亚娜·德桑蒂斯,丹尼尔·勒库图瓦,埃尔马诺·卡萨诺瓦,吉尔贝·塞尔维安
导演：克洛德·夏布洛尔
简介：Lucienne Delamare and Pierre Maury are having an affair. Lucienne's husband Paul is the mayor, and a French deputy. Pierre's wife Clotilde has been weak and sickly for years. Lucienne's husband holds no excitement for her, and he is always away in Paris on business. Pierre is now the vice-mayor, thanks to Paul. Lucienne and Pierre have a secret meeting spot by a lake along a country lane. Pierre's wife dies suddenly, by suicide the town gossips believe. Pierre confesses otherwise to Lucienne. Paul proposes a shady land deal which will "benefit the town", and wants Pierre's political support and collusion. Then Paul discovers proof of his wife's affair...
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4.0
电影安东契科夫的1890
主演：尼古拉斯·吉劳德,洛丽塔·夏马,罗班松·斯泰弗南,贾克·鲍那非,珍娜·蒂亚姆
导演：勒内·费雷
简介：在1890年之前，作家契科夫（尼古拉斯·吉劳德 Nicolas Giraud 饰）创作的多为富有喜剧和讽刺色彩的轻松作品，他的作品因为诙谐幽默又浅显易懂，深受民众的喜爱，俄国科学院为了表彰他给世界带来的精神财富，将“普希金奖”颁发给了契科夫。1890年，契科夫孤身一人跨越了千山万水，来到了库页岛，这里曾经是政治犯的流放地。库页岛上宛如人间地狱一般的景象深深的撼动了契科夫的内心，他开始意识到，在自己熟悉的世界之外，还有这么多人生活在苦难和贫穷之中。从此，契科夫一改文风，以库页岛之行作为素材，开始撰写揭露沙俄专制制度的作品。
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7.0
电影格陵兰之旅
主演：Thomas,Blanchard,François,Chattot,Ole,Eliassen,Thomas,Scimeca,Adam,Eskilden
导演：塞巴斯蒂安·贝蓓德
简介：Thomas and Thomas are going through a rough patch: they are both thirty-something actors living in Paris. They randomly decide to leave the city and fly away to Kullorsuaq, one of the most remote villages of Greenland, where Thomas' father Nathan lives. Among the Inuit community, they will discover the charms of the local customs and their friendship will be challenged.
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8.0
电影幽灵杀手
主演：勒内·纳瓦尔,乔治·梅尔基奥尔,Luitz-Morat,安德烈·吕盖,Naudier
导演：路易斯·菲拉德
简介：
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9.0
电影帕西法尔
主演：法布莱斯·鲁奇尼,安德烈·杜索里埃,Solange,Boulanger,Catherine,Schroeder,Francisco,Orozco,Deborah,Nathan,Jean-Paul,Racodon,Alain,Serve,Daniel,Tarrare,帕斯卡·欧吉尔,Nicolaï,Arutene,玛丽·里维埃,Pascale,Gervais,De,Lafond,帕斯卡尔·德·布瓦松,克莱芒蒂娜·阿穆鲁
导演：埃里克·侯麦
简介：这是一部非常风格化的作品，主角是一名年轻的威尔士骑士，他来到一处神秘的古堡，在那里他见到了圣杯的幻像，但他自己却没有意识到；次日清晨，古堡人去楼空，骑士继续出行，当他猛然醒悟到自己看到了圣杯再回去时，古堡已经消失，于是他只能继续他的圣杯寻访之旅。影片完全在摄影棚内拍摄，布景故意做得很“假”，而且台词和动作多有重复，颇有一点曲艺的效果。
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6.0
电影舞女
主演：斯蒂芬妮·索科琳斯基,加斯帕德·尤利尔,梅兰尼·蒂埃里,莉莉-罗丝·德普,弗朗索瓦·达密安,路易多·德·朗克桑,阿曼达·普拉莫,德尼·梅诺谢,戴维·鲍尔斯,弗兰斯·博耶,詹姆斯·弗林,威廉·休斯顿
导演：斯蒂芬妮·狄·朱斯托
简介：来自美国中西部的洛伊·福勒是一位在巴黎歌剧院跳舞的舞女，能成为美好年代时期的符号人物，并非命中注定。在追求完美舞姿的道路上她从未退缩，即便是冒着后背拉伤、灯光灼眼的巨大威胁。但她和伊萨多·邓肯的相遇，这个对荣誉有着狂热追求的天才将会使洛伊·福勒失去一切。
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7.0
电影梅花森林
主演：格雷戈瓦·勒普兰斯-林盖,保琳·卡彭尼,Amandine,Truffy,玛丽莲·坎托,安托万·夏佩,蒂埃里·汉西斯,海洛依丝·戈多,Arthur,Teboul,Fatima,Soualhia-Manet,Caterina,Barone,Gwendoline,Fiquet,Yannick,Wallon,Kevin,Chavaneau,Olga,Sékulic
导演：格雷戈瓦·勒普兰斯-林盖
简介：翁蒂娜和保罗曾经相爱。当翁蒂娜离开保罗，他发誓自己不会再爱了。为了证明自己，他去追求美丽的卡米尔，打算引诱她后再抛弃她。但卡米尔希望保罗只属于自己，并在他身上施了魔咒。慢慢为卡米尔的魅力所倾倒，保罗不得不面对他旧爱的记忆。
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4.0
电影O.S.S.117之不解之谜
主演：凯文·马修斯
导演：André,Hunebelle
简介：
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7.0
电影德国玖零
主演：埃迪·康斯坦丁,汉斯·齐施勒,克劳迪亚·米歇尔森,Nathalie,Kadem,安德烈·S·拉巴尔特,Robert,Wittmers,Kim,Kashkashian,Anton,Mossine,Heinz,Przbylski,Kerstin,Boos,H.J.,Jurgen,Uwe,Grzechowski,Jochen,Gliscinsky,Iva,Svarcová,Elfi,Gäbel
导演：让-吕克·戈达尔
简介：Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract need for guidance of Germany following the fall of the Berlin Wall.
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10.0
电影很可能是魔鬼
主演：Antoine,Monnier,Tina,Irissari,亨利·德莫布朗,Laetitia,Carcano,Nicolas,Deguy,Régis,Hanrion,Geoffroy,Gaussen,Roger,Honorat,Vincent,Cottrel,Laurence,Delannoy,Laetitia,Martinneti,Martin,Schlumberger,Thadee,Klossowsky,Miguel,Irissari,Nadine,Boyer-Vidal
导演：罗伯特·布列松
简介：该片以回忆的方式记叙了一个忧郁的巴黎青年人努力寻找现代大都市生活的意义和生命的故事。他在宗教，政治中找不到幸福和生活的理由，甚至在他自己身上也找不到。于是他把时间花在两个女人的身上，希望这样能够永久联系在一起。
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8.0
电影自由的幻影
主演：阿德里娅娜·阿斯蒂,朱利安·贝尔托,让-克洛德·布里亚利,阿道弗·切利,保罗·弗朗克尔,迈克尔·朗斯代尔,皮埃尔·马格隆,弗朗索瓦·麦斯特,埃莱娜·佩德里埃,米歇尔·皮科利,克洛德·皮埃普吕,让·雷谢夫,贝尔纳·维尔莱,米莱娜·伍柯迪克,莫尼卡·维蒂,帕斯卡勒·奥德雷,菲利普·布里戈德,Philippe,Brizard,阿涅丝·卡普里,让·尚皮恩,雅克·德巴里,保罗·勒·佩尔松,皮埃尔·拉里,阿里克斯·马赫,Maxence,Mailfort,穆尼,贝尔纳·米松,Marc,Mazza,马塞尔·佩雷斯,玛丽-
导演：路易斯·布努埃尔
简介：本片由几个超现实的小故事串联而成。公园里，一个神秘男子塞给一个中产阶级家庭的女孩几张图片，女孩父母对这些帕特农神庙、凯旋门等古建筑的图片大惊失色。丈夫晚上被幻觉困扰求助医生，恰巧女护士请假离去，在回家的路上，女护士偶遇受虐狂帽商、赌博的神父等人。一位教授搭护士的车来到警局授课，却总被打断，他最后讲了一段赴宴的经历，几个朋友在马桶上闲聊，而吃饭却在厕所一样的单间里。一名罹患癌症的男人被告知女儿失踪，虽然女儿就在身边，但一群人仍然四处寻找。一名枪手在高层建筑里随意射杀路人，被判处死刑，但看起来却像是当庭释放。警察局长接到了死去的妹妹电话，他前往墓地查看，却发现自己的位置已经被别人代替……本片获1975年意大利电影新闻记者协会银兔奖。
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9.0
电影森林鲁滨逊
主演：玛琳娜·佛伊丝,Gérard,Depardieu,Damien,Jouillerot
导演：阿兰·夏巴
简介：法国2004年最新冒险喜剧片，杰拉尔德帕迪约主演的法国版《石头族乐园》，法国本土票房第三位。讲述的是37,000年前，有两个部落相互邻近，他们和平共处。“净发部"过着宁静祥和的日子，小心守护着洗发水的制作秘方。而“污衣部"满嘴牢骚，抓挠个不停。一天晚上，一起谋杀案打破了“净发部"的宁静。这是人类史上的第一次，以前从来没有人杀过人（当然，在这个案子里，被杀的是个女人）。为什幺要杀人呢？是人难免一死的。谁能解开这个迷？而且，如果这只是一个恐怖的开始怎幺办？这部史前黑色喜剧片讲述了两个完全不同的部落的冒险经历。这影片已经在欧洲上映，据说是个充满冒险精神的搞笑电影，最受欢迎的是片中有各式各样的史前动物出现，可爱得很。
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9.0
电影六个无价值的片段
主演：Danièle,Huillet,Jean-Marie,Straub
导演：Pedro,Costa,Thierry,Lounas
简介：Six unused scenes from WHERE LIES YOUR HIDDEN SMILE? One of the more priceless of the "bagatelles" in this collection features a lounging Jean-Marie Straub who gives a non-stop disquisition on liberty and filmmaking while Danièle Huillet busies herself with laundry, and their dog Melchior frisks in and out of frame.
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3.0
电影欢迎来做客
主演：克里斯蒂昂·克拉维埃,阿里·阿比唐,艾尔莎·泽贝斯坦,Cyril,Lecomte
导演：菲利普∙德∙肖伏隆
简介：A French intellectual who writes about living with an open-mind struggles to live up to his words when a Romani family begins camping on his front yard.
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9.0
电影欢迎来北方
主演：凯德·麦拉德,丹尼·伯恩,佐伊·费利克斯,洛伦佐·奥斯利亚-福雷,安·玛丽文,菲利普·杜克斯纳,盖伊·勒克卢瑟,丽娜·雷诺,米歇尔·加拉布吕,斯特凡纳·弗雷斯,Patrick,Bosso,杰罗姆·芒德尔,Alexandre,Carrière,弗雷德·培森,Franck,Andrieux,热尼·克莱韦,克里斯朵夫·罗西尼翁,齐达内·苏阿内
导演：丹尼·伯恩
简介：菲利普（凯德·麦拉德 Kad Merad 饰）在法国南部普罗旺斯的一家邮局任职了十多年，一成不变的生活和闷闷不乐的妻子朱莉（Zoé Félix 饰）令他感到压抑。为了讨妻子欢心，菲利普装扮成残疾人申请升职到南部的黄金海岸地区，却不料弄巧成拙被调派到了极北的小城贝尔格（Bergues）担任局长。在南方人眼里，那里气候寒冷恶劣，人民粗俗不堪，说话还带着难懂的Ch'ti口音，是堪比地狱的地方。心灰意冷的菲利普辞别家人，忐忑不安的独自赴任。然而出乎意料的是，他发现自己的新下属们和当地的居民都很热情好客，自己也很快与邮递员安东尼（丹尼·伯恩 Dany Boon 饰）交上了朋友。菲利普逐渐爱上了这处淳朴简单的小城，但当他试图说服朱莉一同来到北方生活，却遭到了妻子的质疑……本片曾获2008年欧洲电影奖及2009年法国恺撒奖提名。
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10.0
电影怒海沉尸
主演：阿兰·德龙,玛丽·拉福莱,莫里斯·罗内,埃诺·克里萨,弗兰克·拉铁摩尔,比利·卡恩斯,阿薇·宁基,维维亚娜·尚特尔,尼里奥·贝尔纳迪,Barbel,Fanger,Lily,Romanelli,Nicolas,Petrov,爱尔薇儿·珀派斯科,雷内·克莱芒,Jacqueline,Decaë,保罗·穆勒,罗密·施耐德,尼诺·温杰利
导演：雷内·克莱芒
简介：汤姆（阿兰·德龙 Alain Delon 饰）是一个穷小子，最近，一桩好差事找上了门，好友菲利普（莫里斯·荣内特 Maurice Ronet 饰）的富豪父亲找到了汤姆，希望他能够替自己找回成日在外风流潇洒的儿子，作为回报，汤姆将得到价值不菲的报酬。循着菲利普的踪迹，汤姆来到了拿布里，见到了菲利普和他的未婚妻玛奇（玛丽·拉福莱 Marie Laforêt 饰）。菲利普纸醉金迷的生活让汤姆十分羡慕，玛奇的美丽和温柔更是摄取了汤姆的心魄，一个邪恶的念头应运而生。一次出游中，汤姆设计杀死了菲利普，之后，为了掩盖罪行，汤姆又杀死了菲利普的好友。一个谎言，要用无数个谎言来掩盖，在得到了自己想要的一切后，汤姆终将面临审判。
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2.0
电影关于在短时间内的某几个人的经过
主演：内详
导演：居伊·德波
简介：Voice 1 (male "professional announcer" type): This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned "subjective profundity". They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone): Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1: They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole "” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2: "Our life is a journey "” In the winter and the night. "” We seek our passage..."�Voice 1: The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2: There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl): No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1: The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2: One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1: When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment "ordinary life"� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant: nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2: The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3: The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1: In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2: Years, like a single instant prolonged to this point, come to an end.Voice 1: What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2: The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept?Voice 3: What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2: Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1: Really hard to drink more.Voice 2: Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation "” poor and false like this botched traveling shot.Voice 3: There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments? The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2: In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the point?Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
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1.0
电影决战豪门2
主演：托莫·希思黎,娜帕克帕发·纳克普拉西特,米基·马诺伊洛维奇,莎朗·斯通
导演：热罗姆·萨尔
简介：在养父去世后，拉格（托莫·希思黎 Tomer Sisley 饰）继承了数额巨大的遗产——养父所经营的集团的股份。可是，拉格无意于经商，他决定将所有股份全部转手，利用获得的资金建立一个慈善基金。就在拉格签署转让条约的时刻，警察突然出现，他们以一场缅甸村庄大屠杀为由逮捕了拉格。原来，这一切都是拉格的情人潘拉姆（娜帕克帕发·纳克普拉西特 Napakpapha Nakprasitte 饰）一手策划，随后潘拉姆被警方钱送回原籍。为了了解事件的真相，也为了拯救心爱的女人，拉格不顾一切的追随而去，与此同时，各方势力都在蠢蠢欲动，在腹背受敌的情况之下，拉格能够获得最终的胜利吗？
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7.0
电影毒贩大妈
主演：伊莎贝尔·于佩尔,伊波利特·吉拉尔多,莉莲娜·罗维埃,伊里斯·布里,卡梅尔·古恩福,亚辛·侯伊卡,Farida,Ouchani,Nadja,Nguyen,Rebecca,Marder,Rachid,Guellaz,Mourad,Boudaoud,Youssef,Sahraoui,Abbes,Zahmani,Yann,Sundberg,Michaël,Louchart,Raphaël,Quenard
导演：让-保尔·萨罗米
简介：故事讲述于佩尔饰演一名为巴黎禁毒小组工作的法语-阿拉伯语翻译。一天她被派遣帮助一个女人陷入困境的儿子，却因此卷入了一场失败的毒品交易，获得了一堆大麻。在坚持与禁毒小队工作的同时，这名翻译悄然走向另一方，成为了知名的毒贩。
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9.0
电影母牛
主演：法萨·布亚梅,朗贝尔·维尔森,贾梅尔·杜布兹,哈吉尔·玛斯都基,费德·本彻姆希,凯瑟琳·戴夫尼尔,阿卜杜拉赫·查基里,帕特里斯·蒂博,欧菲莉亚·科尔布,茱莉亚·皮亚彤,马利克·班泽拉
导演：穆罕默德·哈米迪
简介：法塔（法萨·布亚梅 Fatsah Bouyahmed 饰）是一位生活在阿尔及利亚的淳朴农民，他生命中最珍贵的东西，就是他所饲养的母牛雅克林娜，法塔的梦想就是能够带着雅克林娜去参加一年一度在巴黎举办的农业会展。这一年，法塔终于收到了自己梦寐以求的邀请函，但是他的妻子娜依玛（哈吉尔·玛斯都基 Hajar Masdouki 饰）并不赞同丈夫的决定。倔强的法塔牵着雅克林娜，毅然决然的踏上了前往巴黎的旅途。因为经费紧张，法塔决定先乘船前往马赛，然后从那里步行抵达巴黎，一路上，法塔遇见了各种各样的意外，而他和娜依玛之间的感情，也经历了重重的考验。
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7.0
电影布劳涅森林的女人们
主演：保罗·贝尔纳,玛丽亚·卡萨雷斯,伊莲娜·劳波蒂尔,Lucienne,Bogaert,Jean,Marchat,伊薇特·埃蒂耶旺,马塞尔·鲁泽,贝尔纳·拉雅里热,Lucy,Lancy,Nicole,Regnault,Emma,Lyonel,Marguerite,de,Morlaye,布兰切特·布若尼,Gilles,Quéant
导演：罗伯特·布列松
简介：本片取自狄德罗小说中的一个片断，讲一个上流社会女子被情人抛弃后，想出一招：她鼓励对方跟一名有卖淫背景的女子结合，先实行广泛的保密工作，事成后再把这则天塌地裂的消息公诸于众。
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5.0
电影巴黎浮世绘
主演：朱丽叶·比诺什,蒂埃里·钮维,约瑟夫·贝尔比奇,亚历山大·哈米迪,迈穆娜·埃莱娜·迪亚拉
导演：迈克尔·哈内克
简介：故事发生在车水马龙灯红酒绿的大都市巴黎，来自乡村的少年来此投奔哥哥乔治（蒂埃里·钮维 Thierry Neuvic 饰），却因为不知道哥哥公寓的密码而被关在了门外，就在这时，哥哥的女友安（朱丽叶·比诺什 Juliette Binoche 饰）出现在了少年的面前，带少年进入了公寓。少年粗暴的对待乞丐玛利亚（吕明妮塔·杰尔吉乌 Luminita Gheorghiu 饰），遭到了黑人教师阿玛度（Ona Lu Yenke 饰）的严厉批评，之后，警察来了，反而逮捕的玛利亚和阿玛度。玛利亚因此而返回自己位于罗马尼亚的家乡，回到了丈夫道格拉斯（Bob Nicolescu 饰）身边。安的隔壁住了一个被虐待的孩子，向安求救，安不知该如何是好。镜头下的人们，每个人都有着自己的故事。
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10.0
电影布鲁诺·里德尔，杀人犯的自白
主演：迪米特里·多雷,让-吕克·文森特,罗曼·维列迪欧,艾利克斯·范古因,Tino,Vigier,Nelly,Bruel,Ivan,Chiodetti,Dominique,Legrand,Antoine,Brunel,Tristan,Chiodetti,René,Loyon,Rémy,Leboucq,André,Salson,Astrid,Vialard,Jeanne,Fauchier
导演：文森特·勒波特
简介：In 1905, French seminarian Bruno Reidel is found guilty of murdering a child. At the request of the doctors observing him, he writes his memoirs to explain his action.
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9.0
电影巴黎小情歌
主演：路易·加瑞尔,露德温·塞尼耶,齐雅拉·马斯楚安尼,克洛蒂尔德·埃斯姆,格雷戈瓦·勒普兰斯-林盖
导演：克里斯托夫·奥诺雷
简介：伊斯麦（路易斯·加瑞尔 Louis Garrel 饰）和茱莉（露迪芬·莎妮 Ludivine Sagnier 饰）是一对产生裂痕的情侣，因此异想天开找来伊斯麦同事爱丽丝（克劳迪德·埃斯曼 Clotilde Hesme 饰）加入他们，试图用三人行为爱情增加激情。但三个人的爱情，终究只是烦恼的叠加，一场争吵之后，茱莉突发心脏急病倒在酒吧。如今剩下伊斯麦和爱丽丝的二人世界，可是愧疚和想念令伊斯麦无福消受，茱莉的家人也开始以“关怀”的姿态进入伊斯麦的生活，尤其是其姐珍娜（基娅拉·马斯特洛亚尼 Chiara Mastroianni 饰）近乎骚扰地出现在他家里，令他快要发疯。为了逃避一切，伊斯麦躲到好友家，却又引来好友弟弟伊旺（格雷戈瓦·勒普兰斯-林盖 Grégoire Leprince-Ringuet 饰）的热烈追求……巴黎的雨总是不停息，正如伤心的男人永远走不出一段已死情感的阴影……
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1.0
电影巴黎皇帝
主演：文森特·卡索,帕特里克·薛内斯,奥古斯特·迪赫,欧嘉·柯瑞兰寇,德尼·拉旺,弗雷娅·梅弗,德尼·梅诺谢,杰罗姆·普利,詹姆斯·提瑞,法布莱斯·鲁奇尼,费萨尔·萨菲,安托万·利兰达斯,弗雷德里克·菲克斯,尼莫·谢夫曼,露西安·贝尔维斯,安托万·巴斯勒,杰罗姆·卡森,蒂埃里·内内斯,让-弗朗索瓦·雷切,米歇尔·克莱门特,约翰·西希尔
导演：让-弗朗索瓦·雷切
简介：让-弗朗西斯·瑞切执导历史题材新作[巴黎皇帝](The Emperor of Paris,暂译 )正式开拍，文森特·卡索加盟出演男一号。影片围绕尤金·弗朗西斯·维多克的故事展开，作为法国家喻户晓的人物，维多克堪称一代罪犯专家。其被誉为现代犯罪之父，也是早期的私家侦探，更凭借丰富的犯罪经历任职警察部门，协力同行破获大量犯罪事件。
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3.0
电影幻灭2021
主演：本杰明·瓦赞,塞西尔·德·弗朗斯,文森特·拉科斯特,泽维尔·多兰,莎乐美·德瓦斯,让娜·巴利巴尔,安德烈·马尔孔,路易多·德·朗克桑,热拉尔·德帕迪约,让-弗朗索瓦·斯泰弗南,Candice,Bouchet,让-玛丽·弗兰,Saïd,Amadis,Isabelle,de,Hertogh,Laurence,Ferraro,让-保尔·米埃尔,亚历克西斯·巴尔博萨,米歇尔·克莱门特
导演：泽维尔·吉亚诺利
简介：Lucien是法国19世纪的一位充满抱负的年轻诗人。他离乡别井，告别以印刷为生的家族前往巴黎碰碰运气。在这座五光十色的城市裡，Lucien意识到自己来到一个充满谎言，一切以利益主导的世界。在巴尔札克的人间喜剧里，政治、感情、名气、灵魂... 万事也皆可买卖，每名记者都变成了大作家。Lucien尝试爱，尝试挣扎，尝试在一切幻象中求存。
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8.0
电影水中效应
主演：弗洛伦斯·卢瓦雷,Didda,Jonsdottir,萨米尔·盖丝米,菲利普·雷博,Olivia,Côte,Esteban,Nina,Meurisse,Solène,Rigot
导演：索尔维赫·安斯帕克
简介：萨米尔(Samir)是一名身材高大、身材瘦长、40多岁的起重机操作员，他来自巴黎郊区的蒙特勒伊(蒙特勒伊)，深爱着他。他发现她是一个游泳教练在当地的游泳池,以及缺乏一个更好的计划,他决定让她的学生…虽然他可以完美地游泳。但他的谎言只会持续3个教训，他讨厌撒谎的人。真相的表面。Agathe是愤怒。结束吗?不！在一次商务旅行中，阿加西前往冰岛，在她和萨米尔之间建立了一个海洋。
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6.0
电影恋恋山城
主演：伊夫·蒙当,热拉尔·德帕迪约,丹尼尔·奥特伊,伊丽莎白·德帕迪约
导演：克洛德·贝里
简介：故事发生在20世纪的法国南方，尤果林（丹尼尔·奥图 Daniel Auteuil 饰）和叔叔塞萨（伊夫·蒙当 Yves Montand 饰）觊觎令居老人家肥沃的土地多时，终于设计将其害死。令两人没有想到的是，看似无亲无故的老人竟然有一位名叫若望（杰拉尔·德帕迪约 Gér ard Depardieu 饰）的儿子，而若望的母亲不是别人，正是塞萨那曾经将他抛弃的旧情人，对此，塞萨一直怀恨在心，一生未娶。若望带着妻子艾美（Elisabeth Depardieu 饰）和女儿玛侬（Ernestine Mazurowna 饰）来到了乡间，善良的他完全没有注意到塞萨叔侄的恶意，过着无忧无虑的生活。塞萨将灌溉若望家天地的水源截断，若望的田地枯竭、牲畜渴死，焦急中若望一病不起撒手人寰，伤心的艾美离开了这伤心地，塞萨和尤果林终于如愿得到了土地，然而，这两家人之间的纠葛却并没有就此结束。
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2.0
电影内地1929
主演：Alexandre,Arquillière,Jackie,Monnier,恩里克·里贝罗,Diana,Hart,雅克·贝克
导演：让·雷诺阿,Jean,Renoir
简介：Claudie, a young French woman, inherits her uncle's property in Algeria, much to the disappointment of her scheming cousins Diane and Manuel. On the ferry she meets and falls for Pierre, an idle young man who has squandered his inheritance and is on his way to beg from Christian, his rich but rough-and-ready uncle, who owns a neighbouring farm to Claudie's. Made to work on the farm by Christian as a loan condition, Pierre is soon a changed man, and proposes to Claudie. But when his Arab friend Zoubir invites the Europeans on a hunting party, Diane and Manuel see their chance to move against their cousin.
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6.0
电影恩培多克勒之死
主演：威廉姆·伯格,Georg,Brintrup,霍华德·沃侬
导演：达尼埃尔·于伊耶,让-马里·斯特劳布
简介：The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
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8.0
电影当我们17岁
主演：桑德琳娜·基贝兰,卡西·莫泰·克莱恩,柯朗坦·菲拉,亚历谢斯·罗莱特,让·弗罗内德,Mama,Prassinos,Gérard,Labelle,Vanessa,Duran
导演：安德烈·泰希内
简介：十七岁的达米安（卡西·莫泰·克莱恩 Kacey Mottet Klein 饰）是一名孤独的少年，他的父亲内森（亚历谢斯·罗莱特 Alexis Loret 饰）由于工作的原因常年不在家，父子两人聚少离多。达米安自小和母亲玛丽安（桑德利那·吉贝尔兰 Sandrine Kiberlain 饰）过着相依为命的生活，个性难免变得怯懦而阴柔，为此遭到了不少的欺凌和嘲笑。某日，达米安结识了一位名叫托马斯（科伦汀·菲拉 Corentin Fila 饰）的少年，两人刚一见面就相互看不顺眼，势同水火。可是，让达米安没有想到的是，母亲竟然收养了无人照顾的托马斯，两人竟成为了住在同一屋檐下的兄弟。随着时间的推移，达米安和托马斯，两颗孤寂的灵魂之间产生了特殊的羁绊。
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3.0
电影开战
主演：文森特·林顿,梅兰妮·罗弗,雅克·博尔德里,戴维·雷伊,奥利维尔·斯勒梅尔,伊莎贝尔·鲁芬
导演：史蒂芬·布塞
简介：尽管员工在财务方面做出了巨大牺牲，公司也获得了创纪录盈利，但Perrin Industrie工厂的管理层仍决定关闭全厂。工人与企业的协议被撕毁，承诺未被遵守，1100名员工在其领导人Laurent Amédéo的带领下，拒绝接受这个突如其来的决定，并尝试拯救各自的岗位。
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1.0
电影圣母
主演：维尔日妮·埃菲拉,朗贝尔·维尔森,克洛蒂尔·蔻洛,夏洛特·兰普林
导演：保罗·范霍文
简介：慧琳（徐英姬饰）和赫奎（卞耀汉饰）是在医院里工作的护士和医生，他们负责看护的，都是失去了自主意识陷入了昏迷之中的病人们。哲武（柳顺哲饰）是两人手里的病人之一，同时是一位家财万贯的富翁，哲武的儿子尚宇（金英民饰）早就打起了父亲遗产的主意，他要求医院尽可能的延长父亲的生命，为此不惜一切金钱代价。想要哲武苏醒，唯一的方法就是进行心脏移植手术。尚宇将目标放在了一个有着“圣母麦当娜”之名的神秘女子美娜（权素贤饰）身上，美娜到底是谁，有着怎样的过去，为什么会沦落至今，一切都处于谜团之中，唯一知道的是，她目前正陷入昏迷之中，并且不知道何日才会醒来。在尚宇的威逼利诱之下，慧琳只得开始准备手术。
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9.0
电影我们的音乐
主演：莎拉·阿德勒,娜德·蒂约,Rony,Kramer,Simon,Eine,让-克里斯托夫·布维,George,Aguilar,Ferlyn,Brass,Leticia,Gutiérrez,Aline,Schulmann,让-吕克·戈达尔,胡安·戈伊蒂索洛,Mahmoud,Darwich,Jean-Paul,Curnier,Pierre,Bergounioux,Gilles,Pecqueux,拉娜·巴里奇,Sanja,Buric,Alena,Dzebo
导演：让-吕克·戈达尔
简介：Divided into three "kingdoms" -- Enfer (Hell), Purgatoire (Purgatory) and Paradis (Paradise) -- Notre Musique is an indictment of modern times.頑皮老頭高達在新作挑釁如常，堅持如舊，對電影愛情如一，但從形式到內容，卻續有新境。比前作《愛之頌》更練達更擊中要害，是他近年最激的反思作品。三段結構的開篇〈地獄〉，戰地實錄與荷里活戰爭片交替，寓意彰甚：人類真會嗜戰。〈煉獄〉借薩拉熱窩做說書人，真實與虛構人物（包括高達自己）到此舉行文化圓桌會議，大家在寬恕迷宮中兜轉，唯有佇立已修復的莫斯塔古橋，才感一絲希望。高達最後領我們到〈天堂〉，人間竟有春色如許？但-有美軍駐守！全片最動人一幕：學生問 DV 可否打救電影？高達哀哀面向鏡頭，良久不語......
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7.0
电影真爱2018
主演：伯利·兰内尔,Justine,Lacroix,Sarah,Henochsberg
导演：克莱尔·比尔格
简介：《我妈妈是派对女孩》坎城影展金摄影机奖新锐导演又一揪心亲情力作现今法国东部福尔巴克，一家之主马利欧是个暖男熊爸，他人生中唯一的野心就是成就爱人与被爱，但与妻子离异后，他只能打掉重练，并且必须独自扶养两名已各有主见的青少女女儿，而他自己也像青少年一样面临尴尬处境。
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